Meanwhile, John has possession of Dream’s ruby and shows up at a diner, where we spend the entirety of our episode.
Tune in below and keep scrolling to find each song individually, listed by episode.Episode 5 of The Sandman starts with Matthew desperate to awaken Dream, who’s clearly exhausted and passed out from his ordeal in Hell.
#24 STAFFEL 1 FOLGE 1 FULL#
Thankfully, Kravitz shared a full list of every song in the series on Instagram there’s a Spotify playlist for it too. “I would like to use more new stuff if there’s a second season.” But so far, one artist who sticks out is the ’70s group Fanny, the first all-female rock band to release an album on a major label. “I’m trying to decide how specifically to answer this question or how vague to leave it,” she says. If High Fidelity gets a second season, Rosenfeld is already making note of what music to include. And interestingly enough, that Boyz II Men song he covers early in the season was originally supposed to be another track by the R&B group, but the team had trouble clearing it. The screenwriters were responsible for the characters’ top five musical picks though.Ĭonsidering the collection of songs in the series, there wasn’t much room for a score, but original compositions were made for Rob’s (Kravitz) rock star love interest, Liam (Thomas Doherty). For the latter, Rosenfeld shipped her own copy across the country so the cast could film with it. Some songs were already included in the screenplay, like Blondie’s “Heart of Glass” and Aretha Franklin’s “Day Dreaming.” But other times, the music supervisors lent their knowledge of obscure music to the script, like the one-of-a-kind David Bowie record in Episode 6 and the vinyl from Greek artist Lena Platonos in Episode 1. “ all projects that we work on, it’s so hard to do it that way just because when you finally see the scene, maybe the pace of it is different than you anticipated or the way the song worked with the scene in your mind isn’t how it works when you actually see it,” she says. Rosenfeld and her team started pitching songs after seeing the script, sending a range of options to producers, but final picks were usually subject to change. Where did you find this?’” Rosenfeld says. It was sending music back and forth, and being like, ‘This is amazing. She’s got great taste, and she knows a lot about music, and luckily, our tastes overlap a lot. “Zoë was a really big part of the music selection. Kravitz was very involved, tapping artists like Janet Jackson, Wings, and Frank Ocean.
If at any time during your High Fidelity binge, you paused and wondered, What song is that?, that was exactly the point.